In Seth Savarick's session at Synergy he talked about raising your work to the next level by having a plan before starting, being deliberate during the construction phase, and doing detailed finishing at the end of a project. Especially the finishing! He showed examples of work that he thought had promise, but the lack of attention to finishing kept the pieces from being stand-outs. Certainly he and others who were there, such as Dan Cormier, Melanie West, Melanie Muir, and Kathleen Dustin, exhibit a level of finish on their pieces that is unbelievable when you see them in person.
I decided I should work on more complex projects that require planning, precision, and polish to improve those aspects of my work. My inspiration was an interesting bracelet that Christine Dumont wore one day during the conference. Unlike a typical polymer bangle, it was not solid, and I found that idea appealing. You could see through her bracelet because she made it out of individual pieces with negative spaces between them.
With that concept in mind, I sketched a pattern for a bangle with cut-outs using my usual floral motif and then set about creating my "first draft" to see what works and what doesn't.
- As it turned out, the form I used was the right size initially but I forgot to consider that the form would add to the circumference and as a result, the finished bangle is too large so it's not wearable (on my wrist).
- I created the black inside layer first and then put the colors on top. I might need to do the colors first, then apply the black to the inside after the form has been removed which would reduce the size of the opening. I would also be able to finish the inside (which looks terrible right now.)
- I will construct the banded edges differently to make them smoother.
- The bracelet is heavier than might be comfortable, so I need to determine if I can make the layers a bit thinner.
But, technical difficulties aside, I like the look of it a lot!
